How Mao Molded Communism to Create a New China – by Roderick MacFarquhar – NYT

“Toward the end of his life, dying of Lou Gehrig’s disease, Mao Zedong claimed two achievements: leading the Communist revolution to victory and starting the Cultural Revolution. By pinpointing these episodes, he had underlined the lifelong contradiction in his attitudes toward revolution and state power. Mao molded Communism to fit his two personas. To use Chinese parlance, he was both a tiger and a monkey king. For the Chinese, the tiger is the king of the jungle. Translated into human terms, a tiger

Source: How Mao Molded Communism to Create a New China – The New York Times

 

David Lindsay

Hamden, CT

Very interesting piece and comments. I tend to agree with the Chinese gentleman, who dislikes the use of the Monkey King to describe the political purges of Mao, but not entirely. I recently studied the Monkey King, or Monkey, because it is considered one of the four great novels of Chinese literature. I was delighted by the book, which is full of farce, comedy, slapstick and political satire. The Monkey King is a folk hero from stories of old China. He has super powers, and is more like a Marvel or DC superhero, a very naughty one, than any kind of political genius.

Professor Roderick MacFarquhar points out that Mao himself wrote that he was inspired by Sun Wukong, the Monkey King. That the story seems to be an entertainment for children, doesn’t change the fact that the book has many levels of meaning, especially in its covert attack on the Emperor of China, and stuck up officials of all stripes. Out of reverence for this amazing story, I crafted a synopsis of the book into one of the chapters of my first book The Tay Son Rebellion, Historical Fiction of Eighteen-Century Vietnam.